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  • Web Resources

    The Pomodoro Technique. One of the hardest things to do is to get writing and keep writing. Try out the pomodoro technique. It’s so simple: just write in 25minute bites, with five minute breaks. You can build up stamina over time, adding additional 25 minute chunks. Vary the time up or down to suit your concentration levels. The trick is not to go for too long nor too short. There are a number of free pomodoro timers out there (see tomato-timer.com, the Pomodroid App on Android phones; and Simple Pomodoro Timer on iPad and iPhone). Failing that just buy a cheap kitchen timer. Here’s a free pomodoro website.

    Writing a Journal Article in 7 Days by Dr Inger Mewburn. This is a great online Prezi presentation on just what the title says it is. Lots of detail beautifully presented. See link.

    Analysing your style. There are few interesting websites that can help you edit your style. Try out Writer’s Diet .It’ll analyse 100-1000 words of your writing, pointing our where it may be a bit flabby and could be tightened up. Another useful site is Wordle, which creates a word cloud of your work. It’s a great way of spotting if your are over using certain words (‘however’, for instance).

    Fixing Writing Problems for International Students – Here’s some advice from the Higher Education Academy for international students and for tutors/supervisors supporting them. This is a complex issue but this is a good place to start with a useful video and some excellent references and case studies.

  • What Is Referencing?

    Like the toilet, the footnote enables one to deal with ugly tasks in private; like the toilet, it is tucked genteelly away – often, in recent years, not even at the bottom of the page but at the end of the book. Out of sight, and even out of mind, seems exactly where so banal a device belongs.

     (Anthony Grafton[i])

    Introduction

    Referencing is an essential element to any piece of academic prose but questions on referencing in academic work are common, reflecting a great deal of confusion about how to do it. These confusions include the technicalities of correctly annotating references, the ethics of citation, and the various ways in which works can be referred to and used in an argument. There are many style guides for all the different referencing systems available; however, the approach taken here is more holistic. This article will cover a lot of the ‘unsaid’ background to reference, which includes the social conventions that underpin the act of using a citation. Other articles here will follow on and giving a guide to the various referencing systems in use, and we’ll also go beyond the technical detail and discuss how an academic writer can reference previously published work in an appropriate and authoritative way. This means understanding the conventions of typographically presenting references and quotations as well as the mastery of their persuasive effects, which stem from their social uses.

    Referencing is a way to refer to texts, and other artefacts, external to the text one is writing or reading. It is an essential characteristic of academic style in any discipline, as it enables writers and readers to efficiently conduct and important task of scholarship: to refer to, as accurately as possible, specific other texts and objects and to discuss them in relation to the topic at hand.

    There are many different referencing systems available but they can all be understood as conventionalised typographic systems that use notation in the line of sentence. This is additional to conventional spelling and punctuation of standard written English. Notation in the text corresponds to a longer parenthetical note, either in a reference list, bibliography or note at the foot of the page or at the end of the whole text. Here are two examples of differing referencing system in academic work.

    Example 1: Author Date, ‘In line’ or ‘Parenthetical’ System

    This example is from John Swales’ book Genre Analysis[ii]. It is an example of a Harvard system, where the reference is in the line of text, enclosed within in brackets (or parenthesis). Hence its alternative names as a system of referencing, as inline and parenthetical referencing systems. (APA is another inline system).

    Extract:

    However, especially in these days of massive television coverage, party political speeches may now be being written, structure and delivered in order to generate the maximum amount of applause (Atkinson, 1984).

    Reference:

    Atkinson, Max. 1984. Our masters’ voices. London: Methuen.

    Whatever is in parenthesis (the brackets), strictly speaking, is not read as part of the text; it is parenthetical to, or outside of, the text. That contained within the brackets corresponds to a reference listed alphabetically in a reference section at the end of the document. Some find this in line placement of the reference distracting when reading but really that comes down to disciplinary styles of reading. If one is familiar with parenthetical references they are easily skimmed over, but having the author’s name and the date in the line of the sentences is very useful to a specialist reader in quickly accessing the accuracy and pertinence of the references used.

    Example 2: Footnote or Endnote

    Typographically, this is a very different beast to parenthetical references. It also differs in how academic discussion of the reference manifests in the text, or not as the case may be. In the example here, from V.N. Vološinov’s Marxism and the Philosophy of Language[iii], the footnote supports a statement made by the author, just as with the previous Harvard style example; however, notice the more elaborated discussion and multiple references in the footnote.

    Extract:

    In view of the fundamental importance of Saussure’s views for the whole second trend and for Russian linguistic thought in particular, we shall consider those views in some detail. Here as elsewhere, to be sure, we shall confine ourselves to basic philosophical-linguistic positions only23.

    Reference:

    23. Saussure’s basic theoretical work, published after his death by his students, is Cours de linguistique générale (1916). We shall be quoting from the second edition of 1922. Puzzlingly enough, Saussure’s book, for all its influence, has not as yet been translated into Russian. A brief summary of Saussure’s views can be found in the above-cited article by R. Šorand in an article by Peterson, “Obščaja lingvistika” [General Linguistics], Pecat’ i Revoljucija, 6, 1923.

    Not all footnotes and endnotes require this type of additional discussion. As with in line references, the note can simply lay down a supporting citation of a named author, with their publication title and its date and place of publication, and page span if appropriate. Instead of round brackets enclosing the reference in the line, footnote/endnote systems mark the place of a supporting reference with a number, letter or symbol, which corresponds to a note either at the foot of the page, or at the end of the text or portion of the text. The additional attribute of footnotes/endnotes is that they enable the scholar to comment further on the supporting references in a manner parenthetical to the narrative flow of their text. In our example here Vološinov gives us a note of the book by Saussure to which he is referring, but he goes on to do more than this. There is the first publication of Cours de linguistique générale in 1916 but Vološinov tell us he will be referring to the 1922 second edition, which was slightly revised by its editors. This is important in this context because Saussure did not in fact write the Cours de linguistique générale, rather it was put together from his course notes after his death by his colleagues and students. Vološinov then tells us that, at the time of his writing, there was no Russian translation available and that we can find additional comment on Saussure’s views in another scholarly publication.

    Both types of reference, whether using parenthesis or a footnote/endnote notation are a way of linking previously published material to the argument at hand, providing additional support to statements and claims made, as well as being a way in which scholarship is demonstrated.

    Works Citing List:
    [i] Anthony Grafton, ‘The Footnote from de Thou to Ranke’, History and Theory 33(4) (1994) pp. 53-76.

    [ii]  John Swales, Genre Analysis (1990 Cambridge: Cambridge University Press. p.47 & p.235).

    [iii]  V.N. Vološinov, Marxism and the Philosophy of Language (1986, Cambridge: Harvard University Press. p59). Translated by Ladislav Matejka and I.R. Titunik.

  • What To Reference

    Anything can be referenced, particularly any written text, but also artefacts such as paintings and sculptures or other collections of objects. However, not everything can be referenced for the same purposes, and so how a writer handles sources is important: some things are better suited to particular rhetorical ends than other things.

    Peer reviewed work – As a rule of thumb, peer reviewed work, and more specifically double-blind peer reviewed work is the gold standard of academic discourse. Double-blind peer review is best practice for assessing the value of new work for scholarly journals. Typically, a paper or article submitted to a journal is sent by the editor to two experts in the field. The author’s name is deleted and neither reviewer is aware the other is reviewing the same paper. This procedure is to mitigate bias and enable the work to stand on its own merits. It is also the procedure monographs go through with academic publishers, either by review of a detailed proposal and at least one chapter or of the full manuscript. For new research, reviewers are assessing on the basis of the work’s rigour, significance and originality, i.e. whether or not the work offers something new and important to a specific group of researchers who write for and read a particular journal. The majority of scholarly work is situated within a tradition of exploring the world through theoretical (for example, theoretical physics, pure mathematics, or philosophy) and empirical evidence (for example, experimental physics, applied mathematics or sociology, linguistics, history etc…).

    The two main sources for peer-reviewed work in most disciplines are peer-reviewed journals and monographs. Journals are particularly dominant in the natural sciences and social sciences; while monographs (research books) are still important in the arts and humanities, and also, but to a slightly lesser degree, in the social sciences[xvii]. Textbooks are generally not considered on a par with new, original research. They are good surveys of a topic or established areas of study; however, new work found in research journals and monographs are more highly valued within the academia because they present the newest advances within a field.

    Double blind peer-review insures a level of rigour to academic research which other systems like peer-to-peer review and other forms of published discourse just cannot match. But that is not to say that other kinds of literature are not also useful and cannot be referenced.

    Grey literature – This is sometimes used as catch all term to refer, that is cite, any other non-peer reviewed literature or data. For some this includes materials that have a wider audience than academia, including things like policy documents, memoranda, committee reports, trade or practitioner journals, and informative consumer pamphlets. Others also count as grey literature academic texts which are not double-blind peer reviewed, such conference proceedings, technical specifications, personal correspondence, and unpublished under and postgraduate theses and dissertations, bibliographies and working papers. Of the former type, these are often produced for a non-specialist audience and may be written by experienced and authoritative researchers, for example leading experts are often asked to contributing to government and committee reports. Because of a more explicate social orientation they may be useful barometers of public, professional or policy interest, something which may be useful to know when reviewing the literature or applying for public funding. On the other hand, reports and policy document have a more overt agenda and can lack the neutrality and rigour of academic research.

    The latter type of grey literature – those produced for an academic audience but not peer review-published – are of a more technical nature and often more quickly available than through the slow process of scholarly review and publication. For that reason they are both useful and limited. They are useful because, as with conferences, one often hears the latest presentation of information before it is available in print. However, it is not yet double-blind peer reviewed and as such is less rigorous. Some of the kinks may still to be ironed out and the information can be quite raw, the interpretation early in maturation, and the methods yet to stand up to close scrutiny.

    Therefore, both types of grey literature can have their uses, but they must be handled with care. Peer-reviewed work must always be questioned but questioning must be even more quizzical of work that has not gone through the same exacting review process of a scientific paper or monograph. Consequently, it is more difficult, if not unadvisable, to make confident statements of empirical findings based on grey literature. Handle with care.

    Ephemera – for example media documents, digital texts published on websites but also any other ephemeral texts or objects like pamphlets, posters, manifestos can also be referred to. Again, one has to remember the purposes with which a text is being referred. The problem with ephemera is their transitory nature and as such their verifiability is more difficult. Some ephemera like political pamphlets find their way into collections, more reliably stored and catalogue by some archive or other. These are then more easily and reliably referred to. The ideological nature of the media is a well evidenced[xviii] and so their comments on the world do not emanate from the same positions of scholarly neutrality aimed for in academic discourse. This goes for surveys and other statistical or empirical data which may emanate from newspapers, broadcast or internet media outlets. That doesn’t mean that the media are mere gossip peddlers, far from it, jus that some additional care need be taken to judge the rigour of any data they use.

    The internet is an increasingly important tool in academic life to a point where it is now absolutely indispensable to the business of research and teaching in universities[xix]. However, the instability of websites as locations to reference is of concern. Websites get old and can disappear, with hyperlinks no longer functional. The old printed practice of book and journal publishing of identifying a physical place of publishing as well as a legal entity of a business, i.e. a publisher, is undermined by the ethereal nature of the internet. It has no geographical, physical place. This has been circumvented somewhat in our citation practice of not only noting the URL (Uniform Resource Locator) but also the date on which the webpage was downloaded (see section 4.5 below for more details). Nevertheless, pages still disappear or change their content. The internet has also made publishing democratic – at least to anyone who can buy or get hold of the right equipment and education – another problem being the potential anonymity of authors. Free encyclopaedia sites like Wikipedia are very popular but also receive criticism because they are said to lack rigour in some of their entries. I know of academic colleagues, real specialists in their fields, who add pages to
    Wikipedia and truly embrace its democratic freedom of information ethos. It is also easy to find both small and large mistakes, if not absolutely misleading information.

    Digital technology also allows texts to be easily altered, and taken with the other problems just noted amount to instability of the text: in its composition, its location of reference and in its authorship[xx]. For referencing this then is a problem concerned with our ability to verify the tripartite: tracing the original document, authentication (in the sense of identifying its authors), and typographic stability on the page, secured by stable typesetting of the words to an unchanging pagination. This is all by way of a brief explanation of the problems that can arise when using digital material. However, the internet and digital technological are an indispensable tool in modern academic life, so these words should not be taken as a criticism of all that is digital. Far from it. To round off, I would note that the academia has successfully integrated many of its old typographic textual practices with new digital ones. For example, academic journals are now easily available online, no need to manually search dusky old stacks in the library; but these journals, although online still look just like their former paper selves, formatted into pages, with contents and indexes, place of publication and attributed authors. As such the old textual practices of referencing largely remain, if only modified to include the referencing of digital media.

    This is the end though there is still more to say about referencing; that is more to do with the mechanics of citation and its contribution to your scholarly voice – see the next essay under ‘Referencing Systems’. However, we are done here with our rather lengthy discussion of the Tao, or way, of referencing. I called it the ‘Tao’ because there is so much that is unsaid but which underpins the everyday practice of referencing that it sometimes seems a little mystical. I also wanted to call it the ‘Tao’ because, like religious practice, referencing it is a way of life for an academic and researcher. Its practices and lore are one of the basic pillars of scholarship, and any neophyte to research world must become familiar with the ways of the reference if they are to progress.

    Works Cited:
    [xviii] For a classic text on the subject see James Curran and Jean Seaton’s Power Without Responsibility: Press, Broadcasting and the Internet in Britain (7th edition). (London: Routledge, 2009).

    [xix] James O’Donnell’s Avatars of the Word: From Papyrus to Cyberspace (Cambridge: Harvard University Press, 2000) presents an interesting discussion of the impact of digital media on the role universities and academics.

    [xx] Of course digital media also mark a significant change in the working practices of academics and so perhaps a little anxiety is to be expected. The effects caused by changes in the textual practices of knowledge and its potential implications has been discussed in what may be called the Havelockian tradition, after Eric A. Havelock’s 1963 thesis Preface to Plato (Cambridge: Harvard University Press). Both Walter Ong (Orality and Literacy, London: Methuen, 1982) and Marshall McLuhan (Gutenberg Galaxy, Toronto: University of Toronto Press, 1962) took up this intellectual thread, exploring the idea that different linguistic and textual practices restructure knowledge over time. Foucault’s work is also concerned with this, though not explicitly as a causation of textual practices. The Havelockian thesis is now somewhat out of fashion, however, others have picked up this thread in their own ways. James O’Donnell’s Avatars of the Word, already mentioned, is one such example, others are David .M Levy’s Scolling Forward: Making Sense of Documents in the Digital Age (New York: Arcade, 2001) and Delete: The Virtue of Forgetting in the Digital Age (Oxford: Princeton University Press, 2009) by Viktor Mayer-Schönberger. Levy points out that the text, even in the typographic age, has never been a particularly stable thing and is bound up with how we conceptualise them as objects and concepts; while Mayer-Schönberger argument is that the problem with the digital age is not its instability but rather its inability to forget anything.

  • Why We Reference

    We will discuss the different systems in more detail in How To Reference but before we can consider how to reference I would like us to think about why we reference. It is a question I regularly ask of staff and students in writing workshops and I rarely get a definitive or clear answer. Most of the reasons are hit on but a sense of how the different purposes fit together tends to be lacking. The general picture is piecemeal and indicative of how people tend to learn to reference: by trial and error, a kind of habit acquired by socialisation within academic communities, which on reflection is difficult to unpick how one comes to know what one knows about referencing. Perhaps I am generalising too much but this is certainly how I learnt to reference; no one ever formally taught me how to do it. It was only when I started teaching others about academic writing that I had to unpick my own thinking and practice, which up to that point came from snippets of advice from my professors, from style guides or from looking at other scholars’ work.

    Often the first reason given for referencing is ‘to avoid plagiarism’. My heart always sinks a little at this because it is such a negative way of looking at the issue. Avoiding plagiarism is, however, on many people’s minds and for good reason. Essentially, plagiarism is copying and considered as steeling other peoples work and ideas[iv]. Writers are often unsure when to put a reference and anxious about the exact number of words you can use before quotation marks are needed. Is a reference needed if a single word is a term coined by a particular researcher? Is it two or three words and does that apply to common phrases within a particular discipline? And there is the Ecclesiastes position[v]: perhaps no ideas are ever original and therefore every sentence needs a supporting reference.

    The answers to these and others will follow presently. For now, we will stay with avoiding plagiarism, both to get it out of the way and because it can tell us something important about the essential nature of referencing.

    From the point of view of academic practice referencing to avoid plagiarism is premised on two fundamental aspects of scholarly research. Firstly, referencing recognises the contribution of previous thinkers and in part this is a kind of social practice of a community of peers giving due credit to other members of the group – a politeness as well as a good idea professionally. But it is also much more than this. There is a legal obligation to reference and a failure to do it can have severe consequences, including legal action or institutional disciplining. Along with falsifying results, plagiarism is the ultimate academic taboo and as such the social and the legal have become blurred and confused. The legal aspect of referencing is that knowledge, the real business of the academia, is underpinned by some basic economic concepts. Maybe the apparent free flow of information in the digital age has undermined this somewhat but knowledge and ideas, especially in the academic context, are commodities; that is why we speak of ‘intellectual property’. We can literally own ideas and the fruits or our intellectual labour.

    Copyright is the thing that legally enshrines rights over previously published work, and typically this has two main agents who are protected. One is the author or authors; while the other is the publisher. Authors have rights for their lifetime plus 50-70 years post-mortem, depending on the type of work created. Publishers have a 25 year copyright from the end of the year of first publication, which pertains to the physical properties of the textual artefact, for example the typographical and paginated arrangement. In both cases it is the expression of ideas rather than the ideas in themselves which gain protection. Therefore, the copying of extracts of a text in to a piece of your writing without indicating by the use of quotation marks that it is a borrowing would clearly be plagiarism, as would merely altering a few of the words of a sentence or paragraph. There is also something called ‘fair dealing’ which controls how much of a text is reasonable to copy, whether a photocopy, digital scan or transcription into a new text[vi]. Most university library websites give good advice on the finer details of this. However, for the purposes of most academic work, if you are quoting extracts from books or journals you are covered by fair dealing but must mark the extracts as quotations and provide source references. Paraphrases and passing the idea off as your own is also plagiarism in the academic context. If someone has been influential in developing a point their contribution can easily be recognised with the addition of an attributing reference. This has the additional advantage of then demonstrating the sources of your thinking to your readers, and is something examiners, peer-reviewers, and fellow scholars are interested in too.

    Therefore the legal right of authors enshrines in law that ideas have an economic value and reality, which in turn means that specific ideas can be attributed to specific authors, whether single or plural[vii]. An idea having a legal reality is very useful for the business of research. It enables us to locate and pin down meaning and knowledge to specific texts and authors; we can go and check the texts for ourselves and check the accuracy of them; and we can hold people to account if needs be (for example in cases of liable, factual inaccuracies or falsifying results). It is the legal status of intellectual property and copyright that enable academic discourse to take place because it means that specific positions can be defined; and if positions are taken then an argument can take place. If no one takes a clear position on a point or it is unclear who is responsible for a piece of work then it would be difficult to have an argument. But these are not just figurative positions they are also physical positions within a text, i.e. references and the statements made in a specific text identified by an author(s), date and place of publication[viii].

    For readers, references are a guide to the writer’s thinking. Readers often read the introduction and conclusion first, as well as the reference list, as these sections are rich with references and map the shape of the argument as a whole. Readers, therefore, are not primarily on the lookout for plagiarism, though well read, expert readers may spot it because something is amiss. Instead, academic readers are looking for supporting evidence, how you have used the references (in positive or negative support of an argument), or if there are any references they are not familiar with and will chase up. An academic writer should use knowledge of what has gone before as a foil for their own argument; rather, than as paranoid parries against charges of plagiarism.

    To that argumentatively useful end, a reference can be deployed in a number of ways which academic readers will consider important. For example, references are used to support basic statements of fact, specifying the ‘known knowns’ (I paraphrase an famous American politician here) for the readership. This is important because all arguments start with premises and references are good shorthand to lay the ground quickly and usually at the start of a piece. Secondarily, these same statements and their supporting references help situate a reader within one of many possible topics any discipline may be interested in. Consider the following for example,

    The effects of climate change are already being observed on a wide range of ecosystems and species in all areas of the world (Rosenzweig et al. 2007)…[ix] 

    This is the first reference in a review paper in the journal Climatic Change. There are numerous topics discussed in this journal but in the very first line this paper delimits its scope to the audience. The statement, supported by a reference, mentions the effects on species and their environments across the globe. Therefore, for me this statement is already generating expectations: I expect this paper to discuss some issue germane to climate change and its effects on eco-systems (or why else mention it); and that the perspective of the paper is likely to have something to do with a variety of eco-systems across the world (again, why else mention ‘all areas of the world’). Also, I can already make some decisions about whether to read on; perhaps, if my research interest is in salinity in the North Atlantic Ocean then I know this is probably not directly relevant to my research.

    It is not just the paper’s scope which has been delimited to some degree by this first statement: because that statement has been supported with a reference I can have a level of trust in its assertion. It references a significant international academic report published by a major academic publishing house. There is no need to outline the evidence because to support the statement Resenzweig et al have already done so. The reference enables me to locate and check the work for myself, if I feel the need.

    A couple of relevant asides here: firstly, I am not a climate scientist so I had to check with a colleague who is whether the report to the Intergovernmental Panel of Climate Change, which Resenzweig et al is published in, is an important peer-reviewed publication. The response I got was ‘this is the IPCC report. It’s not reviewed through the normal process, but everyone can comment on it, and all the queries have to be answered before it’s accepted’ (emphasis in the original)[x]. The point being that as a non-expert reader of climate science I do not have that kind of basic background knowledge. For me it was just another reference but for a climate scientist the IPCC report is an important publication. (Some references are more important than others, hence journal rankings). An expert reader weighs up the supporting references with much more skill and background information (that’s what makes them an expert); where as a novice, such as myself, can get the gist but has to do a lot more work to appreciate the importance or certain references. Either way, for both novice and expert the reference enables multiple things to be achieved at once.

    Secondly, I have used the above quote and its accompanying text in many writing workshops with postgraduate students. One incident was particularly informative on social character of knowledge which references embody. A student at a Russell Group University asked me why the authors started the paper with such a controversial statement. I was somewhat puzzled as I thought quite the opposite, so I asked him to explain. He then elaborated that global warming was a controversial subject and much disputed. Realising he was climate change denier I did not want to get into a topic, which was tangential to a doctoral writing class, so I came up with the following compromise: the above statement is not a controversial statement for the overwhelming majority of climate scientists, and particularly the ones who write for the journal Climate Change. At first sight this may seem like extreme relativism: that one group’s knowledge is another group’s propaganda, and that it is the internal discourse of the group which defines its truth. This is not what I am saying. It is the case that for the majority of climate scientists, climate change and its effects on species and ecosystems are facts; and facts here can be read as those things with a majority of the group hold to be true, based on current available evidence. However, that is not to say that all groups are equal in their claims to truth. Religious fundamentalists might claim a monopoly on religious truth and that same group may deny that the earth is more than six-thousand years old and that humans share a common evolutionary origin with the great apes. But the religious zealots’ arguments do not stand up to empirical verification; they are impervious to rational argument based on research and the rigorous testing of hypothesis, or inductive analysis. In fact, they are not really arguments at all in the scholarly sense. Their truths are absolute where as ours are not. Scholastic truth is a more difficult thing to define; some might even quibble with the use of the words ‘truth’ or ‘fact’ or ‘prove’. Rather, knowledge, a better word perhaps, is the product of the collective endeavours of communities of peers, researching to test and evidence assertions. Therefore, scholarly knowledge is more like ‘these are the things we currently believe, most of us anyway, and we are prepared to change those beliefs if someone can prove, based on empirical verification and well reasoned argument, that other things are better things to believe’. Unfortunately, it’s not very snappy.

    Though a little tangential this is pertinent to social character of reference we are discussing. Referencing is a shared discursive practice among fellow researchers, encompassing elements of legal obligations, professional etiquette and conventions for supporting and evidencing arguments. The discursive character of references is ‘intertextual’: they make links (‘exophora’ is the technical term from linguistics and rhetoric) external to the text at hand. There are a number of discursive strategies used to introduce those references, which involve both the form and manner of language used to introduce and comment on those references. By form I mean the different types of rhetorical set-pieces an author can draw on to introduce a reference. Form is a complex thing and will be dealt with in dealt with in the essay How To Reference  ass in the conventional orthographic systems used by different academic disciplines, and how to rhetorically introduce references for different purposes. By manner I mean using an appropriate scholarly voice when discussing references, which means being aware of how aggressive or equivocal you are and this is unpacked How To Reference.

    The final thing I would like to touch on in this section also speaks to the social character of referencing and the nature of scholarly work: it is referencing to create a gap or niche. This may sound counter intuitive. How can one reference something that is not there? Quite right; you can’t, but this is perhaps the most important thing which scholarly writers do because it is the essence of the enquiring, critical thinker. A gap in research or thinking is where an author makes a claim for the need of their work on the basis that some problem or deficiency in the existing literature. This is applicable from the senior researcher, who publishes cutting edge research papers, to the undergraduate writing a two-thousand word essay, and everyone in between. Though the level of mastery of the literature may be different, all scholarly writing requires its writers to bring a sceptical mind to reading, a mind which asks difficult questions and inspects the fine detail or makes links between ideas or results. We will cover this in much more depth in Chapter 5 when discussing introductions. However, it is relevant to say here that creating a gap is about locating a problem or issue that would be of interest to your readers and which your forthcoming work will discuss or attempt to answer. This is a social characteristic of referencing because it is the interests of the academic discipline which determine or strongly influence what topics are up for consideration. Niches are defined by the state of current thinking and as such evidence that a problem exists can be found in the literature.

    The types of problems or questions which need to be answered are potential innumerable but readers can identify them because they are either explicitly or implicitly referred to in the literature. As such, one is not really referencing something which is not there. Explicit problems are easy enough to find – given enough reading time and good search strategies – as other researchers will have indicated the need for further work to be done, with phrases such as ‘this indicates the need for further work’ or ‘it raises further questions’. The nature of research is that once you answer one set of questions or explore one issue, like the Lernaean Hydra, many more questions appear in their stead. Implicit problems are different, no explicit reference to them exists but they are logically deducible from previous work, either by positive or negative critique of methods, the interpretation of results and the practical or theoretical implications said to follow.

    Referencing: Claims and Quotes

    The true test of any piece of writing is when it is given to a readership. A writer stands and falls by what they have written because at that point the author loses control over the text[xi]. As academic debate is based on making a convincing argument, understanding the etiquette of argument will help to put it across more effectively. The following points discuss some of the potential problems a writer can run into when discussing ‘the literature’. Etiquette, however, is a nuanced social phenomenon and as such other aspects of it are also dealt with in section 4.6 ‘How to cite works and use quotations’. Some may rejoin here that the academic style should be ideologically neutral, devoid of subjective or social influence. But as we have already discussed in the introduction, the dispassionate scholarly style is still a construction of the academics that use it and they choose not to use, or to play down, more personal and emotive language. Viewed like this the dispassionate style is still functioning as a shibboleth of social values: it is just that the values are, generally, ones which prize objectivity and rationality above personal narrative and emotion. Remember, it is not just what you say; it is how you say it.

    Don’t over claim on a reference – Perhaps self-evident but not uncommon, this is to match the detail or strength of the claim you are making with the content of the reference you are using to support it. Not over claiming requires understanding the difference between major and minor studies, or knowing which pieces of theory or experimental results came first. Therefore, a sophisticated reader is one who reads many different texts and can put them into some sort of meaningful relationship. This sophistication also comes from an ability to simultaneously synthesise ‘the literature’ in a way acceptable or plausible to other readers and writers in the field, and to add some, potentially original, personal interpretation of that material.

    Don’t over claim on a second-hand reference – If it is important enough to reference it is important enough to consult firsthand. This is a principle of good scholarship. However, there is so much literature and some of it comes across second hand, when some particular theorist or empirical work is read about in the research paper, monograph or textbook. The text you are reading might be well respected and trusted in its own right, but this is no excuse because referencing a work once removed is more likely to replicate error. It is not just a matter of distortion or misrepresentation. At higher levels (Masters and up) of academic writing the writer must cultivate their own unique critical perspective, developed through immersion in the literature and of experience of carrying out research. One should not just trust the opinions of others; instead your opinion should be informed by a first-hand reading.

    Don’t quote something you have not read, i.e. ‘as cited in…’ – Similar to the previous point but where an exact quotation is used. Again, it is always far better to consult the original reference. ‘As cited in’ may be tolerated at undergraduate, where textbooks are often a mainstay of background reading, but at Masters, doctoral and peer-reviewed publication it is to be avoided at all costs. There can be errors in the original quotation, where a work has been miscopied or mistranslated. It is the job of the academic to track down the original by inter-library loan or by visiting rare collections or more comprehensive libraries. Exceptions would be when a rare document appears in a publication which is considered a standard reproduction of that document and that it is not incumbent on the researcher to inspect the original document. An example might be C.G. Jung’s famous, hand crafted Red Book. For years it was kept by the Jung family in a Swiss bank vault and only recently has it been reproduced[xii]. The original manuscript is still extremely difficult to consult first hand but the reproduction, with translation would suffice for most readers. Similarly, when translations of important works are made into English then the scholar need not necessarily read it in the original language unless it is germane to the type of study they are doing, for example, a French literature student reading Voltaire in the French, or a classics scholar reading Cicero in the Latin. Similarly, rare historical manuscripts reproduced in an accepted authoritative source are ok as long as it is not considered reasonable that the original be consulted.

    How many words constitute a quotation? Is a reference needed if a single word is a term coined by a particular researcher? Is it two or three words and does that apply to common phrases within a particular discipline? Perhaps no ideas are ever original and therefore every sentence needs a supporting reference. These are questions commonly asked and the answers are entirely straightforward so let us take each of these in turn.

    How many words constitute a quotation? To answer this think back to what was stated about why we reference, essentially it is to support your argument but also to recognise social obligations of an individual’s intellectual contribution as well as the legal obligation to recognise copyright. When one is quoting, the exact wording of another writer is being taken and reworked into one’s own prose. Quotation marks indicate to the reader when you are doing this and the supporting reference in brackets or parenthetical note tells the reader the source. The writer should be well aware of when they are doing this, even if it is short but particularly memorable phrase from an author. For example, the English political philosopher Thomas Hobbes’ oft quoted phrase on the predicament of man in a hypothetical ‘state of nature’ as ‘nasty, brutish, and short’[xiii] would require a reference, even though it is only a fragment of the larger extract. While only a four word quote it is an idiosyncratic formulation of those four words, encapsulating a unique opinion that needs recognising. This is possibly not the most clear cut answer, but I think a rule of saying three or four words equals a quotation would be misleading. It is a quotation if you are copying something directly from someone else. This may break down if it is only one or two words, as these could just be grammatical links or even noun phrases which are concepts. This brings us to another point.

    You may have noticed the use of the term a ‘state of nature’, which was a once common thought experiment used in philosophy – John Locke and Jean-Jacques Rousseau also used it as a reasoning tool in their treatises on political philosophy. This has quotation marks around it but not a reference after it. Why? Here the phrase a ‘state of nature’ is a known term in philosophy and carries a set of specialised meanings but it is not assignable to a specific individual; it is commonly used amongst political philosophers over an extended period, though it varies in its exact meaning[xiv]. The quotation marks indicate that the words or phrase is being deployed as a concept – an alternative sometimes used is to italicise or capitalise the term. However, some terms or concepts are attributable to an individual or group of thinkers. ‘Habitus’ is a Latin word reinvented and identified with the sociological theorist Pierre Bourdieu; ‘deconstruction’ with the continental philosopher Jacques Derrida; ‘natural selection’ with Charles Darwin, ‘the selfish gene’ with Richard Dawkins, the ‘Higgs Boson’ with Peter Higgs and so on. On their first usage it is good practice to identify the concept with a defined work by the originating author. Thereafter the concept typically does not need setting in quotation marks or italics. However, the term could be so well know in the field that this would be unnecessary – does ‘natural selection’ need attributing to Charles Darwin?

    The relationship between words and their meanings is not a fixed one; and while it may once have been necessary to attribute a reference to concept things change. Concepts can become quite fashionable – a credit to their descriptive or conceptual usefulness – and they become used far beyond their initial sense. ‘Postmodernism’ would be such an example, of which the late Richard Rorty wrote:

    The word ‘postmodernism’ has been rendered almost meaningless by being used to mean so many different things. If you read a random dozen out of the thousands of books whose titles contain the word ‘postmodern’, you will encounter at least half a dozen widely differing definitions of that adjective. I have often urged that we would be better without it – that the word is simply too fuzzy to convey anything.[xv]

    So overextended can concepts become that scholars can be lead to question their utility and redefine their nature and parameters. This may be more of an issue in the Social Sciences and Humanities than for mathematicians or the Natural Sciences, who seem to have fewer disputes of this kind[xvi].

    Works Cited:

    [iv] ‘Plagiarism’ is borrowed from the Latin plagiarus meaning plunderer, and from plagium meaning kidnapping. The borrowing, therefore, appears to have been initially a metaphorical one, which well describes the act of plagiarism, including its sense of malfeasance and moral transgression.

    [v] By this I paraphrase the popular sentiment derived from Ecclesiastes 1:9: ‘The thing that hath been, it is that which shall be; and that which is done is that which shall be done: and there is no new thing under the sun.’

    [vi] A good concise overview to copyright relating to academic work can be found in New Hart’s Rules: The Handbook of Style for Writers and Editors (2005, Oxford: Oxford University Press. pp.371-382).

    [vii] Lucien Febvre and Henri-Jean Martin’s The Coming of the Book (1976, London: Verso. pp.159-166) discusses how long it took for a concept of author rights and intellectual property to develop. It took more than 200 years after the invention of moveable type printing by Gutenberg for author rights to start to be an accepted part of publishing. Febvre and Martin cite John Milton and his Paradise Lost as an early example in 1667 of an author received continual payment commensurate with publishing success. Before then, when a text was bought from an author the publisher owned all rights to a text. Publishers could therefore do whatever they wished with a manuscript, including reprinting and changing it without permission of the author.

    [viii] Thinkers Jacques Derrida, Pierre Bourdieu, Michel Foucault and Richard Rorty, often described as post-modernists, have played with the conventions of referencing, and the language which surrounds it, as part of their philosophical projects, which have sought to question our conventional understanding of knowledge. They also problematised the idea of the text as an unproblematic unity. An element of this was separating the responsibility of the author from her text. Foucault once wrote: ‘Do not ask who I am and do not ask me to remain the same: leave it to our bureaucrats and our police to see that our papers are in order. At least spare us their morality when we write’ (The Archaeology of Knowledge 1997, London: Routledge, p.17).  Rorty is more playful and similarly does not pack authors and their texts too closely together; Rorty sees his use of another’s text his not the author’s, illustrated by this footnote ‘I should remark that Davidson cannot be held responsible for the interpretation I am putting on his views, nor for the further views I extrapolate from his. For an extended statement of that interpretation, see my “Pragmatism, Davidson and Truth,” in Ernest Lepore, ed., Truth and Interpretation: Perspectives on the Philosophy of Donald Davidson (Oxford: Blackwell, 1984). For Davidson’s reaction to this interpretation, see his “After-thoughts” to “A Coherence Theory of Truth and Knowledge,” in Alan Malachowski, Reading Rorty (Oxford: Blackwell, in press).’ (Contingency, Irony and Solidarity Cambridge: Cambridge University Press, 1989, p10).  Therefore, the reference to Donald Davidson’s work is a reference which both does and does not support what Rorty is claiming. All of sudden textual certainties seem altogether less certain. Derrida’s ‘Limited Inc.’ is a reply to the analytic philosopher John Searle critique, in which Derrida plays (in a playful sense) with the concept of reference, as part of this he changes Searle’s name to Sarl.

    Perhaps you will find this more than a little contradictory and, therefore, of little help. Well, my response is that this is a facet of the footnote: a textbook isn’t of much use if it doesn’t tell you the way it is, facts if you will; but that is not to say that ‘the facts’ are a priori truths, ineffable and undisputable to the last. To maintain such a position would in itself be bad scholarship and thereby undermine the very purpose of a textbook. The distinction being driven at is, on the one hand textual practices as they are, and on the other hand the ontological limitations to which those practices give rise to in academic theorising about language. The former relates to the main body of this text and is of practical use; while the later can be left to do its more ethereal work out of sight in the footnotes, which at its limits, as with Rorty, Foucault or Derrida may break down under unconventional discursive pressure. If you are not engaged in such work, fear not.

    [ix] Warren, R., Price, J., Fischlin, A. ‘Increasing impacts of climate change upon ecosystems with increasing global mean temperature rise.’ Climatic Change, 106 (2011), 141-177.

    [x] Personal correspondence with Dr Iselin Medhaug, University of Bergen.

    [xi] This is the essence of Plato’s much recited problem with the written word commented on in The Republic and Phaedrus. For a fuller discussion of which see Thomas Cole’s The Origins of Rhetoric in Ancient Greece.1995, London: John Hopkins University Press. Michel Foucault’s essay ‘What is an author’ also discusses the ontological relationship between an author and her texts.

    [xii] Jung, C.G (Sonu Shamdasani, Editor, Translator, John Peck, Translator, Mark Kyburz Translator) The Red Book: Liber Novus. W. W. Norton & Co.

    [xiii] Thomas Hobbes, Leviathan. Penguin [p. for ‘nasty, brutish and short’ quote].

    [xiv] At one time a ‘state of nature’ may have been someone’s unique formulation (perhaps Thomas Aquinas) but it became a widely accepted concept with a communitarian ownership.

    [xv]  Rorty, Richard, (Philosophy and Social Hope. London: Penguin, 1999) p. 263.

    [xvi] Thomas Kuhn notes in the preface to his influential book The Structure of Scientific Revolutions (1996, third edition): ‘[S]pending the year in a community composed predominantly of social scientists confronted me with unanticipated problems about the differences between such communities [of social scientists] and those of the natural scientists among whom I had been trained. Particularly, I was struck by the number and extent of the overt disagreements between social scientists about the nature of legitimate scientific problems and methods.’ (p. x)